Set to a bebop jazz beat, this documentary brings to life the extraordinary work of graphic designer Saul Bass, whose groundbreaking title sequences for Hitchcock's films transformed the art of movie titles. Through interviews with directors such as Martin Scorsese and Guillermo del Toro, this film reveals why Bass is still considered the medium's greatest artist. (IMDb)

Better quality here.

Edward Hopper (1882–1967), New York Movie, 1939. Oil on canvas, 32 1/4 × 40 1/8 in. (81.9 × 101.9 cm). The Museum of Modern Art, New York; given anonymously 396.1941. Digital Image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY

Edward Hopper (1882–1967), Study for New York Movie, 1938 or 1939. Fabricated chalk on paper, 11 1/8 × 15 in. (28.3 × 38.1 cm). Whitney Museum of American Art, New York; Josephine N. Hopper Bequest 70.277. © Heirs of Josephine N. Hopper, licensed by the Whitney Museum of American Art. Digital image © Whitney Museum of American Art

Edward Hopper (1882–1967), Study for New York Movie, 1938 or 1939. Fabricated chalk on paper, 8 3/8 × 10 15/16 in. (21.3 × 27.8 cm). Whitney Museum of American Art, New York; Josephine N. Hopper Bequest 70.100.© Heirs of Josephine N. Hopper, licensed by the Whitney Museum of American Art. Digital image © Whitney Museum of American Art